Helmed by Bristol sound co-founder the musician-producer, this scabrous though slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Poacher denying his container of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one key story turn, but it leads to a hilariously staged rampage on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in UK and Irish theaters from 17 November.
